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Lr enfuse noise reduction
Lr enfuse noise reduction










lr enfuse noise reduction

I could now make larger prints and have the option to crop within the image. At this time I chose to make the move over to Nikon from Canon because the Nikon D800 had been receiving rave reviews. I waited and waited for Canon to follow suit but it never happened. The change came for me when Nikon decided to put out a D800 at 36 megapixels. Digital cameras were now getting behind the movement of more megapixels. I realized that I was spending a good portion of time now post processing and lot less time in the field shooting so I was always looking for a better solution.Ī few years had passed and lots of people still were involved heavily with HDR even though cameras were getting better and better.

#Lr enfuse noise reduction pro

So I chose to explore a few applications and found one called exposure fusion within a program called Photomatix Pro which merged all images together to include all the dynamic range and yet receive realistic result. I was very happy with the results once I learned to fine tune the application but nevertheless took a lot of time to post process images in HDR. But like a lot of things in photography, HDR went too far and quickly received a bad name. The results for the time we’re Incredible and people started to compare it to medium format photography. It was really fascinating to capture so many images and merge all of them into a single file. When arrival of these applications, HDR (high dynamic range) became the big thing. At the time, several third-party applications were coming out as well as Photoshop that would be capable of merging several images into a single Image. I would bracket at 1-stop exposures so that I included the wide spectrum of tonal values in the scene.

lr enfuse noise reduction

This would range from-3 under exposure to +3 overexposure. It was the general consensus that several years ago to capture dynamic range in any photography scene you needed to take several photos. What was happening was that I would end up either blowing highlights or blocking the shadows. The results I got with my Canon when I just shot a single exposure for the scene was often not enough coverage in terms of tonal range. It all started with the Canon 5D Mark 2, where I would religiously bracket at least three images for every scene. I owned the Canon 5d Mk1 and moved way through the series. While starting out in photography I owned nothing but Canon cameras.












Lr enfuse noise reduction